About the Song
A Songwriter’s Warning: Kris Kristofferson’s “The Law is for Protection of the People”
In the tapestry of American music, few singer-songwriters have woven as rich and complex a narrative as Kris Kristofferson. His songs often serve as stark reflections of society, love, loss, and the human condition. One such gem, often overlooked yet deeply resonant, is “The Law is for Protection of the People.”
Released in 1972, this song isn’t a typical ballad or honky-tonk tune. Instead, it’s a biting commentary, a poetic indictment of the misuse of power and the perversion of justice. Kristofferson, with his characteristically gravelly voice and unflinching lyrics, presents a world where the law, meant to safeguard the innocent, is manipulated to serve the interests of the few.
The song’s opening lines are both stark and provocative: “Well, the law is for protection of the people, but the judge, he’s got his friends to feed.” Immediately, Kristofferson sets the stage for a tale of disillusionment and betrayal. He paints a picture of a legal system where the scales of justice are tipped, where the powerful manipulate the law to maintain their grip on society.
Throughout the song, Kristofferson uses vivid imagery and evocative metaphors to drive his point home. He sings of “lawyers makin’ deals in the back room,” of “judges wearin’ robes of silk and gold,” and of “the people out in the street gettin’ cold.” His words are not just lyrics; they are a searing critique of a system gone awry.
What makes “The Law is for Protection of the People” particularly compelling is its relevance. While written decades ago, its message resonates powerfully today. In an era marked by growing inequality, social unrest, and questions about the integrity of institutions, Kristofferson’s song serves as a stark reminder that the law, while essential, is not infallible. It can be twisted, manipulated, and used to oppress rather than protect.
As we delve deeper into this song, we’ll explore its musical nuances, lyrical depth, and enduring legacy. We’ll examine how Kristofferson’s unique blend of folk, country, and rock influences shaped this powerful piece of social commentary. And we’ll consider why, even after all these years, “The Law is for Protection of the People” remains a vital and thought-provoking work of art.